|
|
 |
| The Work of Impruneta, Il Tesoro di Santa Maria |
 |
::
Cushion
Tuscan Manifacture, 15th century, before 1477 |
 |
::
The discovery of the sacred image of the Virgin
Florentine Sculptor, Mid 15th century |
 |
::
Altar trappings composed of four candleholders and a cross bearer with a cross
Florentine Workshop, Before 1632 |
 |
::
Antiphonary (previously called Vesperal 6)
Antonio di Girolamo di Ugolino, 1538-1539. |
 |
::
1. Gradual (previously called Antiphonary I)
Lippo di Benivieni, 1315-1320 ca. |
 |
::
Basin and jug
Tuscan Manifacture, Datable as 1711 |
 |
::
Pyx
Tuscan Manifacture, 16th century |
 |
::
Processional cross
Lorenzo Ghiberti, 1425 ca. |
 |
::
Reliquary of St. Sixtus
Simone Pignoni, Dated 1614 |
 |
::
Pyx
Cosimo Merlini, 1637 |
 |
::
Pair of votive vases
Tuscan Manifacture, Second quarter of the 17th century, datable as 1633 |
 |
::
Pax
Antonio di Salvi, 1515 |
 |
::
Little cape - image cover in canvas
Tuscan Manifacture, 1568 |
 |
::
Chasuble
Tuscan Manifacture, Early 18th century |
 |
::
Series of two tunicles
Tuscan Manifacture, 17th century |
 |
|
| |
|
|
|
 |
| Series of two tunicles |
 |
 |
The tunicle in silk lampas
is decorated with a racemose pattern in white on a yellow background.
Designed in a progressive echelon formation, the pattern is formed of a
large, regularly repeated ogival and double-pointed stitching enclosing
a squared palmette surrounded by leaves and flowers. This is a late
17th century replica of a pattern that was not only very popular in the
16th century but also in the centuries that
followed.
|
|
|
|
|
|
|